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القائمة
MP 2500 R G3
MP 2500 R G3
MP 2500 R G3
T+A

MP 2500 R G3

Multi Source Player

السلسلة R Series

The MP 2500 R G3 stands as one of the most meticulously crafted multi-source players ever conceived by T+A.

اقرأ المزيد

لمحة سريعة

جميع المواصفات
الوزن
11.3 كغ
Bluetooth
نعم
Interfaces LAN
Fast Ethernet 10/100 Base-T
USB
2x USB 2.0 Mastermode
S/P-DIF digital inputs
1x Coax, 2x BNC, 2x TOS-Link
Reception standard
FM, FM-HD
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نظرة عامة

The MP 2500 R G3 stands as one of the most meticulously crafted multi-source players ever conceived by T+A. While it shares its conceptual and technological lineage with the MP 2000 R, this device elevates the experience of high-resolution audio to new heights. Replacing the CD drive with a high-end SACD mechanism, the MP 2500 R G3 offers an even more refined rendition of this timeless medium. Coupled with an array of external SP-DIF devices, a high-performance tuner featuring FM/FM-HD, DAB+, and Internet radio, alongside the latest streaming services and connect functionalities like Apple AirPlay 2, the MP 2500 R G3 becomes the heart of any music system—a centrepiece whose prowess is matched only by its understated elegance.

At the core of this masterpiece lies our globally celebrated Path Separation Technology, a concept as simple as it is profound: each format deserves a processing path tailored precisely to its unique characteristics. To that end, dedicated converters stand ready for every relevant format: PCM signals up to 384 kSps are rendered through our T+A True 1-Bit Converter, while DSD files up to DSD 512 are transformed into analogue splendour.

It is through this meticulous separation of signal paths that the true potential of each format is unlocked, bringing to life our unwavering belief: the pursuit of the highest possible playback quality, guided by scientific rigor.

For us, true quality transcends mere technical excellence; it is the art of eradicating even the faintest disturbances that might mar the purity of sound. To this end, our T+A DASS (Digital Analogue Separation System) represents years of dedicated development, a system that ensures digital and analogue circuits remain completely isolated, preventing interference before it can take root. The signal then flows through an ultra-wide bandwidth analogue output stage, travelling the shortest possible path to balanced (XLR) or unbalanced (RCA) output terminals, preserving its pristine integrity.

In our vision, convenience and high performance are not opposing forces but rather two sides of the same coin. Therefore, the MP 2500 R G3 comes with the SRC 1 system remote as a standard feature, offering effortless control. For those who prefer digital convenience, the T+A MusicNavigator G3 app, available in all app stores, serves as an intuitive command centre for the MP 2500 R G3 and any connected amplifiers within the T+A R-series.

عن T+A

Ever since 1978 our driving force has been curiosity. Our aim was to define the framework of the possible, and push its limits a little further each day, and that’s what formed the stone of this company. We always aspired to the creation of new findings rather than the exploitation of existing knowledge. We were determined to carve out our own advances, and not simply follow the progress of technology. Satisfying this goal requires our team of fifteen designers and developers to create every device in our headquarters in Herford. From the initial design, developing every single circuit board and finishing with the software code - the stage which brings all the component parts together to form a grand ensemble - our devices are built in Herford. They are permeated by the belief on which this company was founded, and which drives all of us forward every day. We don't build mass products, we build accoustic treasures, we build heartbeats, goosebumps and enthusiasm.

جميع منتجات T+A

المزايا

6
  • Audiophile Streaming Architecture G3 & Bluetooth

    Audiophile Streaming Architecture G3

    Our Audiophile Streaming Architecture (ASA) of the third generation is the audiophile connection of the MP 2500 R G3 to the connected world. The focus of its development was on maximizing sonic potentials and source diversity. Therefore, its network boards process incoming WLAN, LAN, and USB master mode signals, allowing the MP 2500 R G3 to access not only streaming services like Deezer, Qobuz, and Tidal but also local network files up to 384/32 (HD) as well as incoming streams from mobile devices via Connect or AirPlay services in audiophile quality. In addition to convenient Connect services, the MP 2500 R G3 also offers the option to play uncompressed Flac files via aptX Bluetooth technology. For the first time in T+A's history, the ASA G3 is capable of playing DSD files natively from the network. For the highest quality playback, this stream is passed on to the T+A True-1Bit converter, which processes DSD files in their native bitstream without any loss of quality.

  • De-Jitter Masterclocking

    De-Jitter Masterclocking

    Jitter is one of the most severe problems, and is generated in the source device – especially in computers – and at the data transfer point between source and converter. For high-quality reproduction all traces of jitter must be removed from the data before the information is converted into analogue signals by the DAC. That is why we have developed a unique two-stage process for clock generation (jitter elimination): in the first stage the received data are processed and decoded. In this stage a basic clock is extracted from the received data stream, which undergoes an initial cleaning process in a PLL circuit aimed at removing coarse jitter generated by the source device and the transfer. This clock is now analysed extremely intensively by the micro-processor. If it fulfils certain minimum criteria in respect of frequency and stability, the D/A converters are switched to an internally generated, extremely precise Master Clock with extremely low phase noise. This clock is completely isolated from the source device, and therefore carries no trace of the jitter interference from the source and the transfer link. The local Master Clock is generated by two separate quartz oscillators which are adjusted to extremely precise tolerances: one for the clock family 44.1/88.2/176.4/352.8 kHz, and one for 48/96/192/384 kHz. This extreme sophistication ensures that the clock is absolutely precise for all frequencies from 44.1 kHz upwards.

  • Path Separation Technology: PCM Quadruple Converter

    Path Separation Technology: PCM Quadruple Converter

    Once the clock has been generated, the PCM data are converted by the quadruple converter, which itself has undergone further improvement. The converter is based on a high-performance 56-bit signal processor, and offers four switchable oversampling algorithms. Each channel is assigned four of the latest 32-bit converter chips in a quadruple, double symmetrical circuit, which compensates very accurately for any lack of linearity, and reduces the residual noise – which is actually absolutely minimal with the 32-bit converters employed – by about a further 6 dB. The result is a level of dynamism, linearity and freedom from distortion which is virtually matchless – even in critical music passages, and with the most minute of musical details.

  • Path Seperation Technology: True1-Bit DSD Converter

    Path Seperation Technology: True1-Bit DSD Converter

    To cater for DSD data which arrive via the PC USB input we have fitted the MP 2500 R G3 with the unique T+A True 1-bit DSD converter – a genuine analogue single-bit converter. Other manufacturers use the DSD mode of a PCM converter, but we eschew that route to ensure that DSD data are processed in a genuine one-bit stream absolutely without coloration and the harmful effects of additional conversion.

  • T+A DASS - Digital-Analog-Separation-System

    T+A DASS - Digital-Analog-Separation-System

    Like our converters, the analogue output stage also takes the form of separate channels (double-mono), and is galvanically isolated from the digital section by means of jitter-free transformers. This arrangement ensures that external source devices cannot possibly deliver interference, and even the hideous computer interference is rendered innocuous. The output stage offers an extremely wide bandwidth of 100 kHz.Clearly this design is extremely sophisticated, but the results are worth the effort: totally natural, uncoloured sound, free of all the limitations usually associated with digital sources. The MP 2500 R G3 constitutes a universal and genuinely audiophile device for digital music sources.

  • SACD-Drive

    SACD-Drive

    Though the dominance of SACDs and CDs may be waning, we hold firm in our commitment to providing our users with nothing but the finest technology. The high-end SACD drive within the MP 2500 R G3 is the very embodiment of this philosophy, transforming audiophile ideals into reality. Drawing from the technological prowess of our high-end devices, this drive meets every demand of the discerning audiophile: swift access times ensure effortless enjoyment, while exceptional error correction and state-of-the-art decoders guarantee flawless playback, allowing both CD (PCM 44.1 kSps) and SACD (DSD 64 2.8 MHz) discs to be read at their very best. The mechanical architecture of the drive itself is a testament to its inner strength: each component, meticulously engineered, isolates and encapsulates the drive, shielding it from any external interference that might disrupt its optical precision. Heavy-duty mounting plates, dual pushrods, and whisper-quiet motors exemplify the solidity and craftsmanship that define the entire R-series.

المواصفات

الوزن
11.3 كغ
للوحدة الواحدة، خارج العلبة.
Bluetooth
نعم
رمز الطراز
T-A-MP-2500-R-G3
اذكره عندما تسأل أحد المختصين.

SACD-Player

Mechanism
High precision linear tracking drive. Double-Lasersystem: SACD: 650 nm, CD: 785 nm
Formats
SACD Stereo, CD/DA, CD-R, CD-RW, SACD/CD Text
Frequency responce / dynamic range
SACD: 2 Hz - 44 kHz / 110 dB, CD: 2 Hz - 20 kHz / 100 dB

Streaming Client

Formats
MP3, AAC, OGG-Vorbis, FLAC, WAV, AIFF, ALAC, DFF, DSF PCM 32 … 384 kHz, 16/24 Bit; MP3 bis 320 kBit DSD64; DSD128; DSD256
Supported media servers
UPnP 1.1, UPnP AV and DLNA kompatible Server, Microsoft Windows Media Connect Server (WMDRM10, DLNA compatible servers
Supported streaming services
airable radio and podcasts, Tidal, Qobuz, Deezer, Amazon Music HD, HIGHRESAUDIO, Tidal connect, Spotify connect, Qobuz connect, Apple AirPlay2, Plays with Audirvana
Features
Auto Network Config., Internet Radio Station database (automatic updates)
Interfaces LAN
Fast Ethernet 10/100 Base-T
Interfaces WLAN
IEEE 802.11a/b/g/n/ac/ax 2x2 MIMO 2.412 – 2.472 GHz (2.4GHz ISM Band, 13 Channels) Channel 1 – Channel 13 North America FCC, Japan MIC, Europe ETSI 20MHz bandwidth 5.180-5.825 GHz (5GHz UNII-1/2/3 Band, 24 Channels) North America (IC and FCC): 5.180-5.600 GHz, 5.650-5.825 GHz Europe, Japan (ETSI and MIC): 5.180-5.700 GHz max gain in 2.4GHz band: 3.2dBi max gain in 5 GHz band: 4.25dBi up to 17dBm (at antenna terminal).
USB
2x USB 2.0 Mastermode

Digital Connecting Board

S/P-DIF digital inputs
1x Coax, 2x BNC, 2x TOS-Link
USB (Device Mode)
1x USB Device-Mode asynchronous
USB (Master Mode)
2 x USB Master-Mode for USB-storage devices

FM - Tuner

Reception standard
FM, FM-HD
Frequency range
87,5 - 108 MHz;
Sensitivity
(>65 dBA S/N) 1 μV
Overload margin
103 dB uV
Total harmonic distortion
0,1 %
Signal / noise ratio (mono / stereo)
72/62 dB
Stereo channel separation
50 dB
De-emphasis
50/75 us
Data services
RDS/RDBS, station name (PS), programme type (PTY), radiotext (RT)

DAB - Tuner

Reception standard
DAB, DAB+
Frequency range
168 -240 MHz (Band III)
Sensitivity (BER = 10 – 4)
2,0 μV
Overload margin
103 dB uV

Bluetooth

Bluetooth
A2DP (Audio), AVRCP 1.4 (Control) / aptX® HD, MP3, SBC

Connections

Analogue outputs high level (RCA)
2,5 Veff / 50 Ohms
Analogue outputs balanced (XLR)
5,0 Veff / 50 Ohms
Digital outputs
1 x coax, IEC 60958 S/P-DIF (LPCM)

D/A-Converter

PCM
Double differential quadruple converter with four D/A converters per channel, 32-bit sigma-delta, 352.8kSps/384kSps
DSD
T+A-True-1Bit DSD D/A-converter up to DSD 512 (22 MHz)
Frequency response PCM 44,1 kSps
2 Hz – 20 kHz
Frequency response PCM 48 kSps / DSD 64
2 Hz – 22 kHz / 2 Hz – 44 kHz
Frequency response PCM 96 kSps / DSD 128
2 Hz – 40 kHz / 2 Hz – 60 kHz
Frequency response PCM 192 kSps / DSD 256
2 Hz – 80 kHz / 2 Hz – 80 kHz
Frequency response PCM 384 kSps / DSD 512
2 Hz – 100 kHz / 2 Hz – 100 kHz
Analogue filter
Phase-linear Bessel filter of 3rd Order with 100 kHz cut off frequency
Total harmonic distortion
< 0,001 %
Signal / noise ratio
116 dB
Channel separation
110 dB

Mains / Accessories / Dimensions

Control interface
R2-Link
Remote control
SRC 1, T+A MusicNavigator APP
Mains connection
100-240 V, 50-60 Hz
Power consumption max.
40 Watts
ECO-Standby
0,3 Watt
Auto power off function
yes (after 90 minutes without audio signal)
Optional Accessories
Power Three HD (Carbon) | Power Bar | Audio Quad (Carbon) | Audio Triax (Carbon) | IP Control
Dimensions (H x W x D)
16,5 × 46 × 40 cm
Weight
11,3 kg
Finishes
Silver anodised aluminium (43), black anodised aluminium (42), brushed

ملفات للتنزيل

5

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